This room this morning reminds me of another, years and states away—dark glow of lacquered wood cabinetry against whitewashed walls, waking early, pre-dawn, still night, some bête noir or seasonal restlessness kicking me alert at an unusual hour—and I rose from my narrow bed and walked to the open window brightening even as I watched against the dim room, birds loud, unabashed, yelling in bird voices, careless of curfew or examination, odor of peaking lilac and rising exhalation of lawn, a long yawn across the classical quadrangle bisected by trim concrete walkways door to door, a fan of brickwork patio, wide steps like a terraced approach to the façade. In my room, door closed and awake when every stipulated line of the crested handbook deemed I should be sleeping the sleep of the just and ambitious, to wake at the appointed hour and step through the dictates of decorum in a timely and alert manner, good soldier to breakfast, to class, to sport, to study, to college, to Wall Street, to nirvana or Valhalla or Poughkeepsie or Greenwich in double time. But me, spawned out of Midwestern shipping mutts, fled from suburbia to—what? Not the lockstep—that open window loud with night-morning wilderness and invitation, sheer wet cold grass reaching for pellmell tread of bare feet, plush and bleeding green onto feeling skin—was I seduced by the luxury of slouching leather chairs in library alcoves and cool-flagged floors for what they represented of achievement and arrival—or more an ecstatic religion of outright aesthetic bursting with sensory revelation if bereft of explicit intent? What passed for a curtain then, blowing in on the breeze of that morning, a tapestry handed-down from my older sister before me, scrap of previous bohemianism forever smelling somehow of bacon, likely incense of a prior era redolent to me of grandeur, intrigue, and slippery decadence—imagined panoramas concocted against the blank slate sweep of my own small dormitory space, constructed vividly, elaborately envisioned, tempted by and craving something more, beyond, surging like the rolling energy of those forested hillsides reaching across the view—up close forever to scale, endless under the clatter of lacrosse cleats against pavement, impromptu long distance testament to coaching praxis grounded in Yankee punishment and shame, shin splints be damned—but well fed, well bred, acultured to a definite ideal and set of lofty standards—The H______ Experience so called as if by trademark, emblazoned as banner across tastefully matte brochure covers and, I seem to recall, white painter’s caps at the Upper Mid Carnival—even the class years renamed in deference to an other, auspicious tradition, apart from the norm, set teetering upon the pinnacle of a hilltop overlooking a white-steepled town and jewel-blue lake, tottering on the verge of adulthood and self-definition. And now, here, so many years after—another window yawning wide with possibility—the stretch between the two containing what? So much so various. Hardly cohering to a path except that it does and has, somehow—navigable only by the wits and will of an inestimable drive onward through cities and streets, houses and apartment buildings, changing names, professions, habits formed and broken, hearts and feasts and fasts and tumbles through spare bedrooms, across transcontinental highways and gravel back roads, chicken shit and industrial soot, impossible weather. Many mornings waking to sunlight or rain, Spring birds or rumble of jumbo jets in descent, wide and ranging cast of companions and housepets, solitude persistent—always wondering what precisely it was that called me awake that one morning and how to answer it even now.
The Unusuals
there’s this odd phenomenon that springs from only watching tv streaming via netflix or hulu or veetle or or or… where you, with great glee and zero fanfare, “discover” shows that have already spent whatever brief heyday they may have enjoyed in live network time and now sit relegated, for marketing or ratings or budgetary reasons, to the sarcofagi of video archiving.
just as I arrived late to the fandom party for dollhouse (how in the name of all that’s awesome have I NOT made a dollhouse post?? must amend this oversight pronto…) and terminator: the sarah connor chronicles, so have I just added the unusuals— like an extinct star still beaming to the eye via the perpetual present of netflix– to my running list of video favorites.
if you, like me, are a fan of quirks and oddity, check out this ensemble, offbeat cop show– what little got shot before the marketeers canceled its delicioulsy off-kilter run.
Instagram-ing it in
The multiplicity of smartphone “publishing” media have me a little more scattered than usual lately– one day I’ll be all about microblogging on Twitter, the next snapshot-happy via Instagram– in all a frittery array of assorted pointlessness, aka the overarching theme of my existence these last several months. I am here and there and nowhere at all, perennially frustrated by the conundrum of forcing it all somehow to cohere.
backstage at the field museum
on thursday evening we went with chris’s mom and dad to the field museum’s member night and glimpsed behind the exhibitions to witness some of the designer’s spaces and rarer specimens. the things that most appeal to my eye are, I think, telling.
illustration sketches:
the exhibit design loft space:
and creatures:
Gretel Again
Gretel Again
Lost herself on deertrails
and rabbit trails winding through
stands of snagged branches,
gloomy hemlock and witchwood
saplings, toadstool-strewn, the sort
of woods favoring cool pockets,
fragrant hollows bushy with rhododendron,
geography redolent with the ether of myth
and history seeped through the pores
like a sap. She places, so ginger,
a sole 
rolled to flat-footed in front
of the other, barely-progress amounting
incrementally to eke 
a murky way
between finger-like roots and burrows
of creatures who creep. Crevices
tempt with capacity and she dreams
herself sufficiently small to curl
within and rest. Waking where
darkness hollers: screech
owl-maybe, wishes she’d paid
closer 
attention, wonders what school
has given of use after all, what specific
implements of navigation or leverage
for the situation, what physics relative
to this something short of a trail. Thinks
of books back home, heavy trove
shelved square in place to squared walls,
and she, here, flung, flying through snatches of stars,
brushy 
glimmers of a sky so vast, black and blue,
and swirling, its impossibility loses her wind.
Those remembered tomes tote ballast of sorts
to catch breath once more and, taking a step
forward, consider a 
multitude of heroines
well-wrought and writ to a T, finished,
pressed and bound
 with cloth and leather
and tresses of their own hair. Ingénues
both callow and scripted. She envies them
their castles for starters, their fabulous
duds or not so fancy but period, surely,
gifted in token by some monarch or author.
Those girls in and of themselves
retrospective of little, heroines regardless,
by what not-quite-womanly magics
still surviving, seemingly forever after
thrusting an older generation into oven or wolf
of precocious ingenuity, if convenient
occasion, despite mistakes with breadcrumbs,
weak character, epochs of hesitation or outright
slumber. The outrage! She stumbles, spluttering,
ungame for the current narrative, left to devices
of shift and typeface, exhausted by threadbare dilemma,
urgent with clumsy imagination in avenues of not-even
rumored footsteps,
 palimpsest of conundrum
and choice, all alien, terrestrial, other. Betimes
her own limbs
, branching, thrust down, forfeit
walking, take root and climb deeper.
summer comin’
floyd vs. toy
Thriftriffic!
this morning while walking floyd I found a four leaf clover, and apparently it works, as evidenced by today’s ridiculous-awesome thrift fun: a globe ($5) which is both an educational toy and a LAMP! shirts $2-3 each; jacket $4.50. highway robbery. call me the baron of thrift.
(for the record I’m blaming excessive cleavage prominence on sark)
pattern & color
words are flummoxing, persistent, legion. poised at the digital nexus of blogs & email & facebook & twitter, I’m foundering a bit in a soup of verbosity.
in lieu of words, I’m currently losing myself in concrete shapes and patterns of color.
homemade book cloth & paste paper finding unbound purposing…
oddly thematic etsy favoriting…
for no one
Lately I’m grappling and struggling to come to terms with the prospect of simply writing– without the need for response of any kind, complimentary or critical or simply discursive.
While my chosen web moniker might suggest some degree of equanimity with a state of solipsism, the lived truth little resembles such self-satisfaction.
I imagine most of us who write compulsively do so at least in part from the urge toward two-way communication, rather than aiming intentionally for the unidirectional prose that often results.
Conceivably this is why bloggers study their stats, attempting to detect by evanescent digital footprints what invisible participants may have visited their thoughtscape, and revel in the gracious gift of commentators.
Principally, writers write to be read. So the absence of any proof of an audience can be discouraging or at least give one pause: why are we failing to inspire readership? Yet we go on writing, compulsively, regardless. I think, therefore I write.
Occasionally our words seem indeed actively to provoke the opposite of their desired result: silence. Recently my posting of written thoughts in email to two different collections of reader/participants (my book club and a virtual mailing list discursive “community”) has prompted only crickets. After having written and submitted and waited for some form of engaged response, and waited and waited some more, I’ve had to consider the possibilities: that I’m simply bad at this written communication, or that I’ve managed inadvertently to offend others or have made them uncomfortable or possibly bored or irritated or… In lieu of any evidence or responsive indications in one direction or another, I have simply to wonder.
Sometimes this back and forth, or back and no forth, process stills or stuffs the compulsion to write, if only for a time. I’ll go inward, curl around the uncertainty, maybe find some entirely other medium to muck around with for a bit, photography or bookbinding or printing or collage– but eventually I will, without fail, find my way back once more to words.
And write for no one. Simply write. Because I can’t not do so for long. And so it goes its windy, rambling way who knows where– and as a three year old me once said– but who will get there first.






















































































