So sue me, I really like patchouli.
This photo of my mom from five years ago appeared on my Facebook feed today.
Yesterday I happened to realize that I’m terribly afraid of losing my memory. I hadn’t known it before I wrote it, but it occurs to me: my mother’s cognitive injuries spawned a state of traumatized memory that persists in me.
What did I come in here for?
Where did I put my list?
I’m haunted by echoes of her voice.
I would lose my head if it weren’t attached.
I’m so tired.
She said that one a lot.
As time passed, she spoke less and less. It seemed to take a great deal of effort to summon her faculties for a conversation.
Before, she’d dominate the room. She’d talk and talk—mostly about herself and the things that concerned her, telling the story of her past, her adoption, her hunt for her biological mother. She told that story over and over to people she’d just met. It was her repertoire. She was fey and funny, and she charmed people.
It’s odd to me now that my siblings and I don’t really talk about the things that made our mom herself. We talk a lot (mostly one to another behind closed doors) about how our mom was lost to us at a young age. We talk about growing up (and going away to boarding school) in the aftermath of the loss. Seldom do we recall together the specific ways she was before. I expect the loss overshadows actual memories.
When she went in for the first surgery, I was five years old, so I have only wispy bits of her from the time before.
By general consensus she was pretty great. Not that she couldn’t also be pretty awful–at times small-minded and straight-up mean. But only if riled. She was dynamic. Vibrant and vivid.
Even after the surgeries she was still some of those things. Drastically changed, yes, but feisty, joking Betsy on occasion still. This is the thing my siblings, who tell me again and again how they knew her before, how I never had the chance (it is a familial refrain), don’t understand—my mom was all those things she’d been before, just in fits and starts.
And in truth those blips petered out as the cognitive damage she’d suffered from multiple brain surgeries compounded with years of medications and made unrecoverable inroads into a once powerful presence. In time the dementia was diagnosed and made concrete. And that began the long process of brushing her away altogether, fading gradually like an old photograph, until she was little more than a ghost of who she’d been.
I dreamed of my mother– not her living, breathing, walking self, only accidental snapshots my father found on an old camera. In the pictures she’s going down the staircase and back up again. My grief for her upon seeing them has weight and presence. I find a flower arrangement she’d made wilting in a corner with one large reaching orchid leaf, a bunch of red holly berries, and two protuberances that resemble cucumbers. I announce it to the others in the house as her final flower arrangement and tell them to say goodbye as I carry it to the trash.
The train, the walk, the pavement. I vary my route depending on the red lights on Michigan Avenue. There are, as well, the revolving variables. On the train or walking from the train to work, I see the same people over and over, as if I know them, though I do not know them.
The girl whose hair is always tangled in the back, as if she is a restless sleeper who has tumbled from bed into work clothes, into her army green duffle coat.
The tall dark-haired guy in the Members Only jacket and Adidas sneakers who seems to have walked out of the 1970s and bounces a little as he strides along long-legged, crosses streets on the diagonal, unbothered by corners and cross walks.
The guy in the red and black down parka with his bike messenger bag slung across his torso, who smokes in the morning. He meanders ahead of me as I jog side to side, trying to dodge by, trying not to inhale.
The panhandler who sits rocking forward and back, shaking change in a 7-11 to-go cup in the steady rhythm of his rocking, saying good morning to each passing person regardless of headphones and averted gazes.
I see the same clothes and boots and bags on different people– the furry hooded parkas with the round goose patch insignia, the navy shoulder bag with the leather straps. This uniform. I was absent the day they assigned it.
There are the two girls in scrubs– girls, not women, although adult– walking together to the hospital, chatting in their chirpy bird voices. Pretty grown up girls who were pretty little girls. I imagine their happy childhoods with healthful extracurricular activities. I imagine their lack of suffering more than the death of a beloved grandparent. Sometimes they’re joined in the walk from the train by an Indian guy who wears a cap with ear flaps. I imagine catching up to the girls and walking with them. I imagine making them my friends.
For several mornings I see one of them without the other and wonder: Did she just change shifts at the hospital? Has she gone away, to another hospital, another city, another state? Is the one she left behind lonely? And I, will I never see her again?
And then one day I step off the train, and there they both are, going up the escalator, having their morning conversation. And all is as it should be.
…walking with her old man, approaching the entrance of the Penninsula Hotel, barks once, pauses, barks twice. Pauses. Two more barks and she’s under the canopy, turning toward the small door to the side of the grand entrance. One more bark. Out bustles the doorman, says, “I didn’t know if you’d be here,” reaching across the valet desk and into a jar of treats. Her man replies, “She wouldn’t miss it. She would not miss it.”
last night I dreamed about your chickens. My life is lonely and sad and pretty much empty. I regret the things I’ve done, or rather not done. I keep failing to do anything meaningful or substantive, but am repeatedly unable to bestir myself. This will be nothing new to you.
Walking to work, I take the used tissue from my pocket and blow my nose and notice how the tissue smells like cinnamon gum which smells nothing like cinnamon.
Everything feels counterfeit, like a shell of something real.
A young boy with a backwards baseball cap is riding his bike down the narrow streets and back alleys of a city, zipping quickly, dodging obstacles. There’s a flash like a film cut to an older man, and I see him years earlier riding the same bicycle down the same streets. There’s another cut, and I see the boy in the present again.
I’ve inherited my parents’ house, which has the feel of my house in Iowa. I’m going through the contents and trying to determine what to keep and what to get rid of, whittling it away to space. There are a lot of strange and ugly objects from decades ago. One thing is a four foot tall orange lacquered wooden swan that is some type of oil infuser. There is a small cupboard like a bread box with an assortment of small bottles of essential oil inside. I’m sorting through them and taking off the caps to sniff and trying to read the labels, but I can hardly smell anything at all. I have already cleared out a lot of the crap that had been in the house. I’m pointing out to someone the shelves around the room and at the top of a closet and describing how they had been crowded and stacked with stuff. Now they are empty. I’m trying to find a place to put a small rabbit figurine. I’m standing at a table in the kitchen and wondering whether my sister, who is in town for grad school, will come be my roommate. Otherwise I’m not sure I can afford to live here by myself.
The world outside used to matter, birds and so forth. There are no birds in the city I live in. It is a tower with high walls and dark shadows. It is a lonely place where the wind cries in crevices and moans in hollows.
I’d like to swim in clear water and sit in sunlight and shade in a hot place with a cool breeze. I’d like to walk in an unfamiliar place and eat foreign foods and hear people speak in other languages and accents. I would like to be Away.