leaky fire

I discover gaps in the side of the big stone and wood fireplace where flames have escaped and are beginning to spread—there’s a hanging cloth that’s bound to go up if I leave the fire to its own devices, so I reach out with my bare hand and smack the fiery patches to put them out—but they’re so hot I switch to stomping on them with my shoe—and then I run to get my bother and father to help—I show them the problem area, and my brother far too casually says he’ll take care of caulking it up.

the bike boy rides past my house, all bundled up in cold weather clothes, and calls out to me by name—and my stomach flips to know he’s taken the trouble to find out what it is.

transformation crew

I’m living—more like squatting—in a big old house with my stuff all piled around and old sawdust and debris all over the floor when a group of friends comes in—I try to keep them out, embarrassed by the state of things, but I can’t be outright rude—and bit by bit they start sorting things out for me—maybe it begins by my asking for their help in hanging a large framed picture—and then they all get into the project and set to work transforming my space. a couple of times I begin to disagree with their placement of things but then see their logic, which makes far more sense than I’d realized at first and surrender to the process. the very best, most delicious part is my tall friend from college who has returned from travels prepared to love me for real and heading up this transformation crew—he sets to work up on the bedroom, hanging vermilion and gold and vivid red tapestries around and over the bed until it resembles a jewel-toned cocoon in a bright room with large, wide-open windows, sunlight streaming in—and I discover another little room I didn’t know existed up some steps: a square, mission-style turret space with windows all around, glowing wood floors and window frames, and I think, here is my study, it’s perfect—it had been the daughter’s room, my sister’s friend’s, and some of her things are still there—the deal is that I’ll look after them until she can come pick them up—and I can easily work around the stuff for the great pleasure of using this space where I feel I belong.

lessons in poise

I’m part of a group lesson in how to lower our shoulders—the charming woman at the front of the room says, ladies, you could even shimmy a little bit and, who knows, maybe you’ll get yourself a date, and smiles and demonstrates most delicately, and the group breaks into delighted laughter.

I’m driving with laura, and she starts to give me a hard time about how darn slow I am, how because I’ve taken a wrong turn I’ve basically wasted her valuable time that could be better spent elsewhere—and I start to stew and finally say to her, well, what’s the big hurry anyway? getting more and more steamed—but she won’t back down, she feels entirely justified in her position—and then suddenly we’re at a border crossing in Israel where the authorities are shutting down the road and telling the traffic from both directions to turn back—and a spoiled housewife in a camper is complaining loudly and asking just what she’s supposed to do now—and we all feel for the poor guys in uniforms who are dealing very patiently and professionally with a much bigger problem than this silly woman’s spoiled vacation plans.

tame & hiding

I’m visiting a brother-sister pair of friends who are moving away and giving me their pair of pet rabbits—big fat bunnies—and I accidentally let one escape and am scared to catch it, afraid it will bite me, but the little girl just sighs and scoops it up and I realize they’re quite tame.

I go with friends to some kind of dinner event in a masons’ lodge or church, and when we arrive, there’s room at the table for all but me, and it’s assumed I’ll just sit at the next table over—but I thumb my teeth at them and keep on walking, go and search out a hiding place in the basement where I won’t be found or bothered until the whole thing’s over—it’s clear that I’m trying to punish them by removing myself but also effectively spiting myself. I go into a bathroom in the dark downstairs hoping for seclusion, but there are two old ladies in the stalls, chatting across to one another while they pee, so I have to be very quiet—I see an alcove of tiny chairs all stacked up and put away and go in there and sit down and lay my head down over them, but I’m not hidden enough—so I get up and crawl under a table with stacks of blankets piled up underneath and wriggle in toward the back, trying to tangle myself up and quiet my breathing—but the minister comes in and busies himself with paperwork right on top of my hiding place—I lie there wishing he would just go away and afraid he’ll find me—and then there’s a shift in the air, a hanging silence, and it seems like he may have seen some part of me sticking out—and I wake up.

impostor

I walk cross-country right into Exeter boarding school and, because it’s so big, nearly get away with passing myself off as a student. I drift around the place, sitting down in a large auditorium lecture class, more attentive to the students and the prevailing culture than any academics going on—affluent, smart, privileged kids—good-looking for the most part and deeply integrated into the institutional world. I go to the bookstore and am awestruck by how many fine and non-essential material wares they can sign away for. I walk down a sharply downward-angled hallway, a sort of staircase hybrid, architecturally distinct, and muddle my way through the maze of the place, trying not to let on what a trespasser I am. I cut across the beautiful autumn campus, sprawling dormitory buildings, wide hillsides, picturesque students walking to class—maybe this happens when I’m cutting out away cross-country once again at the end of the dream—but before that I get pulled into the dean’s office—maybe they’re getting suspicious, or maybe I’m just standing in the wrong place at the wrong time, but I end up trying to pass myself off as a student, give them my name and stand there, heart pounding while they pull up a record for another sarah townsend who’s slated to teach composition—and it all seems too providential to pass up, so I say it’s me, lie about my social security number, and then stand there with a sinking heart just waiting for the truth to be revealed and my charade to blossom into flames around me.

it’s up to me

I’m visting laura, going through all her nearly-empty giant-sized jars of peanut butter, looking for something to eat—a gaggle of friends comes over with party fun favors, some kind of pirate dressup play-set or like that—and then they’re climbing the walls with magnetic clamps they’ve brought along—in the process they disturb an enormous spider which spins on a thread down into the center of the room, and I scoot away and cry out for the boy to get it—I can see, however, that he’s not going to be fast enough and it’s going to be up to me, and the dream ends with me looking around for a big enough container to trap it.

biting the clothesline

there’s the boy who seems to maybe like me back—he calls me back to his room (we’re working in his house, and I’ve been vigilantly professional) and asks me if I find him attractive, and I begin to crumble and quake inside—the possibility, the terror—so much, I say, it’s killing me—and then I’m biting the clothesline that hangs before me. he says, I wondered if we might try something. he looks awkward and avoids meeting my eye. you can just say no if it seems weird or whatever to you. and I think, here it is—the moment of truth. and I say, okay, trying to keep my voice steady—it could really go either way—and then I wake up, and it’s lost, unreconciled. and I’ll never know what he was going to suggest.

I’m with thisbe, and she’s showing me something online which involves the guy she has a crush on—and then suddenly there he is, on the screen, seeing us back—and we’re both embarrassed and thrilled, giddy and suddenly regressing to adolescence—and I gesture that thisbe loves him—and she’s gesturing something equivalent about me, I notice, right after I question the kindness or wisdom of spilling these beans—and I’m overwhelmed by how childish we’re both being and fall away from the computer. nothing good or real seems bound to come from this.

an empty space where a moment before there was a vehicle

I’m fighting with my sister—we’re staying in a hotel, and she’s scolding me, telling me to buck up, and I’m furious and indignant, clinging somehow to my right to feel bad—I stomp off and shut myself in my hotel room and adjust the lights to a more soothing setting, prepare to hunker down. later I’m back out in the world, and I walk to my car and glance away for a moment and it’s gone—only an empty space where it had been—and I’m sure one of my friends in the wedding party must have come to get it for me, mistakenly looking after me, and I’m frustrated and dismayed—I’d been intending to flee the state altogether, hit the road, and now there’s just an empty space where a moment before there’d been a vehicle—I stand there not knowing what to do, and thisbe walks up, furious and distressed and demands, where were you?, I’ve been worried sick—I feel bad but also like I don’t deserve her indignation—why do I need to answer to her? but bad for having upset her—and her strong reaction alone seems to determine that I’ve done something wrong. I’m trying to get free but I can’t shake the fact of being connected to and at least somewhat accountable to other people.

sleeping god

we’re skiing/skating down over an enormous globe structure excavated out of the ice and covered with densely compacted snow—we’re the field research team, and I’m assisting the scientists. as we go down over the slope of the globe, our speed picks up across the icy surface, and I grow anxious that Ill go spinning off into space—but we’re looking for the way in, some kind of latch or keypad entry, and just as I’m nearing the most dangerous slope, there it is, I skate right into it, activating it —and instantly all the snow melts right away and the whole gigantic contraption stands revealed: an ancient city-sized structure of immense complexity and grace and beauty— and alive, conscious, awakened somehow—like a god that’s been sleeping. and we’re relearning how to speak to it.

topic: moving

I am not moving. I was moving, had to, levering myself up out of school debt and despair via the only available course: sell the farmhouse bought and loved for seven years. so. I did the requisite mourning, did the requisite boxing and packing and cleaning and “de-cluttering” for house shoppers and realtors with no interest in farm auctions and secondhand store effluvia, with no pets, no inclination to look past initial impressions–to make a show place–because everything hangs in the balance of making that fast sale during the short slice of season (june, half of july) while the market is happening. there was the minor complication of lack of money–for paint, for boxes, for perennials to plant in pots on the front porch. many trips carting carload after carload to consignment stores, shopping them my wares, trying them out one by one, then goodwill with the leftovers. checking in regularly on accumulated cash to be picked up– $20 here, $11 there–and used. there were friends who helped out through the thinnest period, one in particular, poised between med school graduation and start of hospital residency, who devoted several days to working beside me, helping me buy supplies, do things–without him, I literally wouldn’t have managed it. seems small. was huge. I was unanchored and falling, reached out and held to him for those few critical days–the hinge that rights you, restores balance–for a moment, for a couple of weeks. because balance, always with me, seems to be a thing struggled for, only provisionally attained, always slipping, always negotiated. after that there came rounds with buyers, with lawyers, with inspections and repairs–round and round, august first an unimaginable distance inching closer. meanwhile teaching. meanwhile a class I’ve taught three times before and for the life of me can’t figure out how to do Right, do smoothly, gracefully–do other people? am I simply a terrible teacher? and so I continue to reengineer in midstream. now, maybe for good this time (there is no for good), I have it troubleshot, vastly improved–only I won’t be teaching it again. now I will be teaching something new, completely new, completely unfathomed. what am I doing? what am I doing here at all? where am I going? what do I know at all? need to be writing the dissertation. not writing. stuck on precipice. deadlines creeping up and slipping past. precipice of quicksand. also jobs are going to be posted soon–I need to look, assess, prepare myself. but what do I know, who am I anyway? what am I even still doing in grad school, I’m in the wrong program, every thing is wrong, I am wrong, wrong wrong wrong. spinning out of control. all that accumulated time spent worrying eats away. borrowed equilibrium leaches out. too much time by myself. my self. my problematic self. so: meltdown, vortex. wanted to die. hated. shook. could not stand feeling of food in mouth. could not sleep more than few hours. or slept too much. retreated into novels and hated myself for reading, while reading. felt like if I had to speak to one more person I would fall apart, if I didn’t speak to someone, anyone I would fall apart. read a memoir by a pole who said americans perpetually disassemble and try to reassemble identity. yes. that helps. perspective. this is losing perspective. go back on the meds–crazy for awhile still, then plane out gradually. still little freaked out person inside, but the feeling of crumbling precipice diminished. I am not moving. house sold, I get to rent it back for a year. all those boxes just sitting in the garage may just continue to sit. inevitable delayed by ten months–but at least, the hope is, then I’ll be moving toward something–very different prospect from now. can’t imagine how to get there, but working to rebolster the tiny voice, almost damped, that says I can get there. I am not moving–not writing–paralyzed and terrified of shadows that loom. all loom bigger through not doing. not writing does this. I am not moving anywhere very quickly–am moving in circles, little advance, retreat, tiny steps, stumbling, falling, more circles–oh, how I move in my crazy dance.