use-less

all day long, while the snow came down and blew along with water from lake michigan across city roadways and chris wrangled for more sleepless hours on end the phone trees and data coordination of response teamwork, I sat, good for nothing, planted to the couch, watching episodes of joss whedon’s “dollhouse” on netflix, good for perfectly nothing.

it happens sometimes like that. often in response to an overlarge event I can see no way to wrangle for my own part– usually my own event or undertaking: writing a substantive project, the eternally vexing quandary of “job” searching, outreach toward building or rebuilding social networks, broaching broad chasms of communication.

I don’t know for certain whether this instance of retreat into semi-consciousness occurred in any sort of direct response to chris’s whirlwind– but it’s true enough that I felt my own lack of concrete ability to help, apart from simply being there, listening and reflecting back on particular pieces of narrative dilemma from time to time– it was a large and necessary presence, and I sat with it.

cohabitation can be like that. we’re thrown much together in a small space, with the result that waves and currents of personal energy swirl around and against one another, showering with gusts of differing weather. from time to time I retreat under the surface of muffling waters.

lately I think much on the topic of what constitutes “use”– the various ways we select to define and judge and embody it. lately I’ve been begging for determinants, signposts, guidelines, directives– when I know well enough that real work requires its own inherent, idiosyncratic, often inexplicable drives.

I’ve done all sorts of “work” that suited anyone’s purpose but my own. together we’ve decided it’s time to attend to the lessons of fracture and facilitate a more integrative and personal approach. in which, inevitably, I’m my own worst wrassling foe, lured off in pursuit of a thousand tangential distractions I can imagine important to the process.

it’s tricky, too, wanting to eschew standard definitions and limitations of genre and medium– to play among them and be motivated by blend and grey area. typical to this type of work is a little-bit-of-this-little-bit-of-that impulse which all too easily lends itself to following narrowing deertrails into wilderness and the unanticipated formation of oxbow lakes.

but some days, some mornings in particular, I’m graced with a brilliant stunning quiet and the resonance of a single tone hit right, a luminous image or a phrase vibrant enough to pull me through, on to the the next piece in the patchwork weave.

new us, new me

we’ve gone around and around about the question of marriage-related name change, chris and I. it’s kind of funny– it sort of felt like a non-issue until his family raised the question– and even then, at first, I was all “of course I’m not changing my name.”

more than anything it felt to me like just so much bureaucratic hassle– and for what? well, there are the identity and affiliation questions, obviously, which, I must admit, I was initially slow to grasp. there is, on some level, residue resentment of the one-sidedness of the naming tradition in our culture– all patrilineal representation with matrilineal influences disappearing into a palimpsest of occasional token middle, and to a certain extent so-called christian, names– the elizabeths and katharines in my family, the “one L” russels, my own holmes– but less substantive and resonant, ultimately less legal. hard to really do anything real about, given the long run of generations.

so I suppose I have, historically and somewhat by default, laid claim purposefully to my full given name, that sarah holmes townsend, as some type of enduring token of identity, wholly mine, unmoved by the shifting of emotional, psychic, and experiential influence. even willfully to spite the, koff koff, crappy monogram.

until now.

because I’ve changed my mind. that is, I’ve decided to change my name. to take on, with marriage to my fascinating and fitting partner, his name along with a commitment for the remainder of our lives. but I’ve also asked him to take on mine, as well– for us both to adopt townsend as middle and reiser as surname (thanks to tammy and by extention aleah for the suggestion).

now, I realize this tactic doesn’t touch the whole patrilineal/matrilineal naming convention question– and, ultimately, I suppose I’m throwing up my hands on that one as simply too big and deep and unmanageable to tackle (too further complicated by a heritage of multiple maternal lines through adoption). and despite how chris explained it to his dad yesterday, it’s not even so much about fairness in the final analysis for me as it is about doing it intentionally and together as a genuine gesture of our union– so that what results is a kind of townsend reiser team sans the unwieldy mouth-jumble of hyphenation.

I do understand that through use and in the course of things this townsend middle name will likely fade into something of a remnant, becoming less present and apparent over time– and I will probably become increasingly this new person myself, this sarah reiser, who currently feels like something of a stranger to me. I guess I’ve decided these things are just fine, too. I am become a neologism.

words, and all the more so names, are important to me. I tend not to use them lightly or effortlessly. I’m not so much a woman who bends easily with the groove of convention or external expectation– I resist and question and insist on finding my own right way, often taking my good time to do it. I kept my given name throughout the course of my first marriage without a second thought. I have a first cousin I’ve been closer to and distant from on and off over the years who at one time taught me something real about the resonances of renaming oneself, of laying claim to a matrix of familial and associative identities. I continue to decline to endorse any fixed right way— only the right way for each of us, felt in our bones and executed to the very tips of our nerve endings.